By Sharon Hamilton
This paintings considers Capulet in Romeo and Juliet as a clumsy father to Juliet and Prospero in The Tempest as an capable mentor to Miranda; Hermia in A Midsummer Night’s Dream, Jessica in The service provider of Venice and Desdemona in Othello as daughters who insurgent opposed to their fathers; Hero in Much Ado approximately Nothing, Lavinia in Titus Andronicus and Ophelia in Hamlet as daughters who acquiesce; Bianca in The Taming of the Shrew and Goneril and Regan in King Lear as daughters who cunningly play the nice woman position; Portia in The service provider of Venice, Viola in Twelfth Night and Rosalind in As you're keen on It as daughters who act of their fathers’ areas; and Marina in Pericles, Perdita in The Winter’s Tale and Cordelia in Lear as daughters who forgive and heal.
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